Inspiriert von Fred Zinnemans legendärem Western «High Noon» wird in der Konzert-Installation «Low Noon» ein kleiner Provinzbahnhof zum Schauplatz eines spannungsgeladenen musikalischen Showdowns.
Foto: Anne Morgenstern
Swiss sound artist and musician Simon Grab explores new grounds by negating assumed borders. In his recent work, he focuses on reduction, and the peculiarity of self-referential systems, playing fragile feedbacks, pulsating drones and opulent outbursts of noise on a no-input-mixing setup.